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FINDING LOVE IN A HOPELESS PLACE: BLACK GIRLS’ TWENTY-FIRST CENTURY SELF-LOVE LITERACIES
FINDING LOVE IN A HOPELESS PLACE: BLACK GIRLS’ TWENTY-FIRST CENTURY SELF-LOVE LITERACIES

By Gitanjali Mehra

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Targeting the M1 muscarinic acetylcholine receptor in neurodegeneration
Targeting the M1 muscarinic acetylcholine receptor in neurodegeneration

By Jayanti Gehlot

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WOMEN FACULTY AGENCY: A CASE STUDY OF TWO UNIVERSITIES IN RUSSIA
WOMEN FACULTY AGENCY: A CASE STUDY OF TWO UNIVERSITIES IN RUSSIA

By Kavya Tyagi

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Theorizing the Brave: Black Girlhood, Affect, and Performance in Kirsten Childs's The Bubbly Black Girl Sheds Her Chameleon Skin
Theorizing the Brave: Black Girlhood, Affect, and Performance in Kirsten Childs's The Bubbly Black Girl Sheds Her Chameleon Skin

By Kedar Bishnoi

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The Big Bang of Music Patronage in the United States: The National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation
The Big Bang of Music Patronage in the United States: The National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation

By Indira Godara

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Reviewing United Nations World Conferences on Women for Korean Women's Empowerment
Reviewing United Nations World Conferences on Women for Korean Women's Empowerment

By Hemraj Soni

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Genocide Rhetorics in US Popular Culture
Genocide Rhetorics in US Popular Culture

By Gopal Chundawat

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EXAMINING RACISM AS A RISK FACTOR FOR UTERINE FIBROIDS AMONG AFRICAN AMERICAN WOMEN
EXAMINING RACISM AS A RISK FACTOR FOR UTERINE FIBROIDS AMONG AFRICAN AMERICAN WOMEN

By Kavya Swaroop

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Studies of mechanical and optical properties of thin film coatings for future gravitational wave detectors
Studies of mechanical and optical properties of thin film coatings for future gravitational wave detectors

By Ram Kumar Nath

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NATIVE CLASSICAL: MUSICAL MODERNITIES, INDIGENOUS RESEARCH METHODOLOGIES, AND A KANIENKÉHA (MOHAWK) CONCEPT OF NON:WA (NOW)
NATIVE CLASSICAL: MUSICAL MODERNITIES, INDIGENOUS RESEARCH METHODOLOGIES, AND A KANIENKÉHA (MOHAWK) CONCEPT OF NON:WA (NOW)

By Hari Om Kotak

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